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11 May 2025

“The Mourning Choir”

PUBLIC WORKSHOP | 11 May 2025 | 13.00-16.30 | Studio, Wereldmuseum Amsterdam

Please join us for the public workshop “The Mourning Choir” by artist A.E.Z. Pinay that is part of our workshop series “There is Nothing to Fix. You Just Have to Let it Rock". This series is curated by artist Raoni Muzho Saleh and invites us to become familiar with our rage and grief as a source for personal and collective power to create liberatory change.

"THE MORNING CHOIR"

This workshop aims to guide the participants towards an exploration of expression of grief and sorrow. An embodied discussion about the politics that rules the manifestation of tears in public settings and the radical potentiality of accessing, voicing and holding space for sorrow collectively and individually.

Actively working on voicing/listening, we will explore the rhythms and musicality within the sobs, the breathing, the moanings, the wailings, etc, as the different elements of a choir that we will compose together.

Please register below for the upcoming event “The Mourning Choir”.

Photo credit: Myriam Gras

About the workshop series “There is Nothing to Fix. You Just Have to Let it Rock." 

Embodied solidarity as resistance. This is at the center of our new workshop series titled “There is Nothing to Fix. You Just Have to Let it Rock." We organize this community collaboration with friend and artist Raoni Muzho Saleh. Raoni chose this quote by artist and writer, Martin Prechtel as the title of the series to signal what is at the core of it; “feeling your emotions by being rocked by them instead of dispossessing yourself from your human experience by way of fixing your emotional turmoil”. The main theme Raoni chose for this series is the transformative power of rage and grief. Not only as emotions and responses to the world that we feel individually, but as necessary for our ability to create collective, liberatory change. He gave the first two workshops of this series titled "Connecting to our Rage as The Eternal Fire Within: Stewarding our Responses and Responsibility to the World” and “Connecting to the Grief under the Rage”, which introduced the connection between the personal and political dimensions of grief and rage. Next in this series are workshops by the artists he invited, A.E.Z. Pinay, Anllel Maria and Laima Jaunzema. Their workshops will take place on May 11, May 25 and June 14 respectively.

We are happy to announce that one of our research fellows for this year, Dr Yanique Hume, will also contribute with a workshop (date to be confirmed). The series will close with a public conversation about the transformative and political power of grief and rage in June at Wereldmuseum Amsterdam. We will share more about the upcoming events in this series and how you can sign up for them in our future newsletter and website soon. 

This program is inspired by the conversations we had with our collaborators in 2024 - Rethinking Wellness and Communal Embodied Practices specifically– in which we looked at ways to decenter thinking and working with the body from the notion of individualistic self-actualization. Instead we put the focus on imagining communal embodied practices as a necessity for our individual and collective awareness of the political and social climate around us, making it possible to build community and affect change collectively. This year we build on these moments of collective reimagining with the interactive workshop program “There is Nothing to Fix. You Just Have to Let it Rock." It is one of the community collaboration projects we do at Research Center for Material Culture that are an evolving practice of creating space for the creative agency for members of historically marginalized communities in the museum.

About A.E.Z. Pinay

A.E.Z Pinay (he/they) is a queer afropean artist, a film maker and a performer. A part of his work and research revolves around the black ethos in France and the Afrodiasporic experience in its poetic, political and spiritual expression. Mourning,

melancholy and absurdity are elements that inhabit his creations. Another part of his practice is to cultivate his ability to exist outside of marketing values and learn from forest ecologies. This translates as activities such as resting, doing nothing, lying down in the grass, pray, mourn, cry, observe the living and to open oneself to the possibilities of different worldings. He currently studies and works in Amsterdam and prepares the publication of his first essay with Editions Face cachées.

AEZ photo

About Raoni Muzho Saleh

Raoni/Muzho Saleh is a Hazara Afghan artist using performance, installation and the sound of mourning moaning to twist and reshape narratives of (cultural) becoming. His work's focus is to play with fugitivity, by not settling on a rigid form. Applying movement and sound as a Raoni Muzho Saleh transformational kind of poetry, he searches for how to continuously be something else, something strange. His practice is engaged with the entanglement of body, spirit, politics and love within art. Through the use of materials such as movement, voice, text and textile he makes works that temporarily immerse both audience and performers in otherworldly thinking feeling and relating.

Raoni Muzho