Beyond Provenance
18 April 2026

Beyond Provenance: Restitution Seen Through Artistic Collaboration

PUBLIC EVENT | 18 April, 2026 | 12.45 - 18.00 | KIT Live Theater & Studio, Wereldmuseum Amsterdam

The RCMC at the Wereldmuseum invites Beyond Provenance, a transnational film collaboration, to screen and discuss its three films that artistically explore repatriation of looted objects. The project responds to the Dutch government’s 2023 announcement of its intent to return artefacts taken from Indonesia. It examines how film and collaboration can reshape narratives around restitution—embracing not only what happened but also what could happen when these objects return.

Information on how to register can be found below. 

About the event

In response to global calls for the restitution of objects, some of the central questions that have emerged in our institution include: What does “care” mean in relation to collections in times of restitution? How do we include community expertise and voices, either from countries of origin or diaspora communities, in how we care for these collections? How do we care for collections that were previously conserved with poisonous materials?

Restitution presents some of the challenges but also opportunities for thinking through ways in which to care for collections, which often entails their return. Moroever, restitution has also prompted us to think about what restitution means beyond return, and what happens once there has been return, how one still need to tend the rupture of an object taken from its home. It is in view of these questions that we are pleased to organize the Beyond Provenance: Restitution Seen Through Artistic Collaboration event in collaboration with WYSIWYG Cinema. 

Focusing on three recently restituted artefacts, each with distinct histories and uses, Indonesian and Netherlands-based artist duos have created three compelling and contrasting video works. Together, these films invite audiences to reflect and imagine. This event marks the first time all Indonesian artists will be present in the Netherlands, joining their Netherlands-based collaborators to watch the films alongside the audience. Following the screenings, a conversation will open up space for shared experiences and reflection on repatriation and restitution and how artistic practices can contribute to these unfinished dialogues.

About the films

Each of the three films that will be screened uses a specific artefact as a departure point to explore a facet of this shared and complicated history and is produced through the collaboration between a pair of filmmakers. Each pair’s interpretation offers a unique visual and conceptual approach, transforming material restitution into a conversation about memory, responsibility, and imagination.

Sharp Objects by Taufiqurrahman Kifu (ID) and Hattie Wade (UK)

Indonesia | 2025 | 16 min. | Documentary

Sharp Objects follows the forgotten story of the Klungkung keris back to its origins and to its post-colonial relevance to Bali today, tracing the looting of the keris to modern day tourism in Bali. The film juxtaposes the ‘knowledge’ of colonial archives against community-based knowledge and mythology, convoluting the understanding of what is preserved, what is dead and what is lost.

Sharp Objects

Idak-Idak-Idak by Kae Oktorina and christopher tym

Indonesia | 2025 | 45 min. | Hybrid-documentary

Idak-Idak-Idak is a hybrid-documentary relating the stolen Lombok Treasures with the Sasak diaspora through three generations of women: a daughter, her mother, and her grandmother. Blending full-spectrum cinemato¬graphy with personal footage, this film moves between Indonesia and the Netherlands to examine colonial legacies, displacement and healing the heart of home. In Sasak, “Idak” can be interpreted as both “heart” and “absence”, becoming a container for memory, loss, and the unseen layers of the self between generations.

Idak-Idak-Idak

The Stone That Remembers by Dyantini Adeline (ID) and Vladimir Vidanovski (MD)

Indonesia | 2025 | 14 min. | Choreographic fiction

The Stone That Remembers interprets the Durga Mahisa¬¬suramardini statue’s journey from its home, the Singhasari Temple, to the hands of colonizers, and various museums. The film follow the patriarchal displacement of a woman that represents the Durga, exploring the parallels between the fate of the statue and many women today.

The Stone that Remembers

Preliminary Program

KIT Theatre

12:45   Doors open 

13:00   Word of welcome by Wereldmusem and background to its restitution work

13:15   Project's context by Rizki Lazuardi and Ruben Verkuylen

13:20   Screening Sharp Objects, Idak-Idak-Idak and The Stone That Remembers

14:40   Closing remarks

 

14:45   Break and move to the Studio in Wereldmuseum Amsterdam

 

15:00   Panel conversations

16:30   Drinks and conversation

18:00   End

More information about Beyond Provenance

Beyond Provenance is a transnational film collaboration between art collective Indeks from Bandung and film platform wysiwyg from The Hague. The project reacts to the Dutch government’s recent intent (2023) of giving back looted objects to Indonesia. This project explores how film and collaboration can reassess narratives around restitution. 

In Indonesia there is apparent public scepticism about returning these objects. Doubting their own country’s capabilities to take care of the objects, the focus is still a Eurocentric one – who can best store objects? Other relationships with, and value placed around the objects (emotional, cultural, spiritual, communal) are lesser part of this.