![Martina Bacigalupo, Gulu Real Art Studio, 2011–12. Courtesy of the artist and the Walther Collection.](/sites/default/files/styles/hero/public/tina_campt_feature_rotator.jpg?itok=pFFVfrzj)
In her 2012 publication Image Matters: Archive, Photography and the African Diaspora in Europe, Tina Campt traced the emergence of a black European subject by examining how communities used family photography to create forms of identification and community. She analysed the relationship between affect and photography, by engaging with the tactile and sonic registers of family photographs in particular. In her recent publication Listening to Images (2017), Tina pushes the bar further by taking the perception of sound in photographs as her main focus. In doing so, she analyses the quiet intensity and quotidian practices of refusal of people of the African diaspora, thus uncovering voices in the softly buzzing tension of colonialism, that are so often left unheard.